"Like the vanishing Great Plains, my aesthetics lend to simple forms in
conjunction with an agitated surface. The most alluring component is color. I
find a pleasing, meditative quality from the rhythm of difference and
repetition, a subtle tension created by an integration of structure & the
unplanned."
conjunction with an agitated surface. The most alluring component is color. I
find a pleasing, meditative quality from the rhythm of difference and
repetition, a subtle tension created by an integration of structure & the
unplanned."
©2008-10 all rights reserved.
Alyson
Kinkade
Fine Art
Kinkade
Fine Art
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a little perspective [please view resume above for a professional listing]
"I love Art History and always have. I love learning about the artists and how they lived, just as
much as looking at the artwork. There are so many works that I appreciate which may never show
in my work... Specific influences are Agnes Martin, Morris Louis, Degas, Ellsworth Kelly, Richard
Diebenkorn, Rothko... I also find a correlation with Gertrude Stein's writing. With her rhythms and
use of repetition and difference. She is my favorite author and being the 'Mother of Modernism'
she has probably impacted my life beyond comprehension, I appreciate her commitment to
supporting other artists, pushing them to new heights while exploring her own pursuits. I hope to
also influence the world in such a positive, impactful manner.
I've always been fortunate to be surrounded by supportive, creative people. I've had the great
fortune to work closely with artists like Jane DeDecker , Kathi Caricof, Mark Leichliter, Pat Howard,
Lu Haskew, Cathy Goodale, Jim Biggers, Teresa Vito and Denny Haskew. I've known these artists
since I was 15 years old and they have all become mentors to me. Their passion and actions to
make their passion known to the world have motivated me into that same direction. They have left
the impression on me that hard work and putting your SELF into all things reaps rewards.
Growing up I remember taking everything visual in... I still do that today. Observations stick with
me.... I have memories from very early on. Color and light particularly. I can remember the
wallpaper from my nursery - blue with white clouds and orange birds, I recall the bright yellows and
greens from being in the garden. I was very adventurous as a child, I'd ride my bike to nearby
Glenmere Park and the bird sanctuary and spend lots of time with nature, climbing trees, looking
under rocks for 'rolly pollies'. We used to take cross-country family trips and I would look out the
window and watch the ground blur by in bands of color reaching to the sky. My favorite method for
travel remains cross-country driving.
I've lived in Northern Colorado all but 6 years of my life. I was born in Greeley November 30, 1976.
Moved to Loveland when I was in High School. After graduating I went to school at the Kansas City
Art Institute in Kansas City, MO and earned my BFA in painting. Out of college I lived in Santa Fe,
NM for a couple years to manage one of the galleries my father and I own and operate. I've since
moved back to Colorado, I enjoyed the other cities and visit them often but I love Colorado. I
donate portions of my art sales to land preservation groups in hopes of maintaining some of the
openness of natural grasses and farms of Northern Colorado that I grew up knowing.
In high school I was the only student to sign up for painting each semester, so the course was
always dropped. I took every art class I could fit in, sometimes repeating subjects, from middle
school and junior high through high school.... photography, drawing, sculpture, ceramics, jewelry,
and was president of the afterschool art clubs repeatedly. I sold ceramics at 'Arts Picnic' in Greeley
when I was in 8th grade.
It wasn't until the summer of my junior year that I was able to take a painting class. I went to
Interlochen Arts Camp in Michigan. It was a 2 month camp of painting, drawing and sculpture; it
really allowed me to focus on art and build my portfolio for art school. It also showed me what an
impact art was in my life and that this was definitely the direction for me. The same summer I also
spent nearly a month working with sculptor Dee Clements helping build the armature structure from
foam wafers for the Palm Desert Holocaust memorial, a seven-figure monument. That was a very
intense project, but I learned a great deal.
I was accepted into every school I applied including the Chicago Art Institute, Minneapolis College
of Art and Design and the School of Visual Arts in New York, but I chose the Kansas City Art
Institute because it was a small (600 students) undergraduate school with a large campus and the
largest scholarship. I really enjoyed my time there, the allowance to focus solely on art and related
subjects was immeasurable and the professors became more than just that. My junior painting
professor, Michael Walling encouraged me to try landscape painting, and my senior painting
professor, Ron Slowinski, pushed me to make my colors really speak to the viewer.
On breaks from school I would paint with the Schmid group. It's fun to work with artists like Jim
Biggers, Cathy Goodale, Lu Haskew, Teresa Vito. I remember they were always down-to-earth and
told things exactly how it was. Constructive criticism is very important for progression, even if you
don't use the suggestions, it brings awareness of what the viewer is initially seeing and sometimes
you are blind to it from working so close to it. Critiques at KCAI were equally helpful. Both from
professors and students, nothing was personal, everyone was just trying to make a good painting
great.
Following College I went to the Vermont Studio Center, a 2 month studio space in a gorgeous part
of the nation. This was transition period for me into becoming a professional artist. In July 2005, I
purchased my first house... a 1932 'English Arts and Crafts' home in downtown Loveland, CO. Two
cats "Yuki-Onna and Ko no Hana" joined me and in-between painting and work at the gallery, I am
making improvements on a desirable studio within.
My whole family is creative. I come from a long line of educators, nearly everyone including sibling,
parents, aunts, uncles, cousins, second-cousins have dedicated a portion of their life to helping or
educating others in some way. We have a lot of high standards (aesthetics included) which makes
for a lot of perfectionists, but we're always hardworking and always strive to do more than required.
My parents have been art appreciators and collectors since before I was born. I grew up living with
the artwork of Buffalo Kaplinski and Frank Howell... I used to love being in those paintings as a
child. Fortunately I got to meet Buffalo in 2004 and he did not disappoint my fictitious image.
My mom was an interior designer when I was young.... at her office we'd page through wallpaper
and fabric samples, never really growing tired of seeing all the patterns (though I'd act bored).
Here I remember becoming aware of space with color and light at that time.
My dad was a lawyer then and always an avid gardener. Dad and I now own and operate Columbine
Gallery in Loveland, CO together. He established the gallery along with the National Sculptors' Guild
in 1992 and he personally places monumental sculpture across the nation. He is involved in site
design, often the landscaping surrounding and almost always installs the artwork. We work well
together with synchronicity. We also both love helping people learn to live with art. I put in average
10-12 hour days at the gallery 5-6 days a week, then I put in hours early mornings and late nights
to painting, but when it is your passion you put the hours in and enjoy the process.
My brother and sister are both teachers. Older brother, Tyler, is fantastic at math and sciences and
can learn languages in amazing time enabling him to travel extensively. He recently took a trip to
Spain for English Immersion courses and is working on going to Japan to teach next. Younger
sister, Dayna, is the dancer, I used to drive her in high school to practice and quick sketch or
photograph. She now teaches kindergarten in Loveland and has a beautiful family with the addition
of 'Jay Thomas' April 25, 2008. My siblings are great friends, and I find we all have an unusual
talent to incorporate career with creative expression."
-Alyson Kinkade
"I love Art History and always have. I love learning about the artists and how they lived, just as
much as looking at the artwork. There are so many works that I appreciate which may never show
in my work... Specific influences are Agnes Martin, Morris Louis, Degas, Ellsworth Kelly, Richard
Diebenkorn, Rothko... I also find a correlation with Gertrude Stein's writing. With her rhythms and
use of repetition and difference. She is my favorite author and being the 'Mother of Modernism'
she has probably impacted my life beyond comprehension, I appreciate her commitment to
supporting other artists, pushing them to new heights while exploring her own pursuits. I hope to
also influence the world in such a positive, impactful manner.
I've always been fortunate to be surrounded by supportive, creative people. I've had the great
fortune to work closely with artists like Jane DeDecker , Kathi Caricof, Mark Leichliter, Pat Howard,
Lu Haskew, Cathy Goodale, Jim Biggers, Teresa Vito and Denny Haskew. I've known these artists
since I was 15 years old and they have all become mentors to me. Their passion and actions to
make their passion known to the world have motivated me into that same direction. They have left
the impression on me that hard work and putting your SELF into all things reaps rewards.
Growing up I remember taking everything visual in... I still do that today. Observations stick with
me.... I have memories from very early on. Color and light particularly. I can remember the
wallpaper from my nursery - blue with white clouds and orange birds, I recall the bright yellows and
greens from being in the garden. I was very adventurous as a child, I'd ride my bike to nearby
Glenmere Park and the bird sanctuary and spend lots of time with nature, climbing trees, looking
under rocks for 'rolly pollies'. We used to take cross-country family trips and I would look out the
window and watch the ground blur by in bands of color reaching to the sky. My favorite method for
travel remains cross-country driving.
I've lived in Northern Colorado all but 6 years of my life. I was born in Greeley November 30, 1976.
Moved to Loveland when I was in High School. After graduating I went to school at the Kansas City
Art Institute in Kansas City, MO and earned my BFA in painting. Out of college I lived in Santa Fe,
NM for a couple years to manage one of the galleries my father and I own and operate. I've since
moved back to Colorado, I enjoyed the other cities and visit them often but I love Colorado. I
donate portions of my art sales to land preservation groups in hopes of maintaining some of the
openness of natural grasses and farms of Northern Colorado that I grew up knowing.
In high school I was the only student to sign up for painting each semester, so the course was
always dropped. I took every art class I could fit in, sometimes repeating subjects, from middle
school and junior high through high school.... photography, drawing, sculpture, ceramics, jewelry,
and was president of the afterschool art clubs repeatedly. I sold ceramics at 'Arts Picnic' in Greeley
when I was in 8th grade.
It wasn't until the summer of my junior year that I was able to take a painting class. I went to
Interlochen Arts Camp in Michigan. It was a 2 month camp of painting, drawing and sculpture; it
really allowed me to focus on art and build my portfolio for art school. It also showed me what an
impact art was in my life and that this was definitely the direction for me. The same summer I also
spent nearly a month working with sculptor Dee Clements helping build the armature structure from
foam wafers for the Palm Desert Holocaust memorial, a seven-figure monument. That was a very
intense project, but I learned a great deal.
I was accepted into every school I applied including the Chicago Art Institute, Minneapolis College
of Art and Design and the School of Visual Arts in New York, but I chose the Kansas City Art
Institute because it was a small (600 students) undergraduate school with a large campus and the
largest scholarship. I really enjoyed my time there, the allowance to focus solely on art and related
subjects was immeasurable and the professors became more than just that. My junior painting
professor, Michael Walling encouraged me to try landscape painting, and my senior painting
professor, Ron Slowinski, pushed me to make my colors really speak to the viewer.
On breaks from school I would paint with the Schmid group. It's fun to work with artists like Jim
Biggers, Cathy Goodale, Lu Haskew, Teresa Vito. I remember they were always down-to-earth and
told things exactly how it was. Constructive criticism is very important for progression, even if you
don't use the suggestions, it brings awareness of what the viewer is initially seeing and sometimes
you are blind to it from working so close to it. Critiques at KCAI were equally helpful. Both from
professors and students, nothing was personal, everyone was just trying to make a good painting
great.
Following College I went to the Vermont Studio Center, a 2 month studio space in a gorgeous part
of the nation. This was transition period for me into becoming a professional artist. In July 2005, I
purchased my first house... a 1932 'English Arts and Crafts' home in downtown Loveland, CO. Two
cats "Yuki-Onna and Ko no Hana" joined me and in-between painting and work at the gallery, I am
making improvements on a desirable studio within.
My whole family is creative. I come from a long line of educators, nearly everyone including sibling,
parents, aunts, uncles, cousins, second-cousins have dedicated a portion of their life to helping or
educating others in some way. We have a lot of high standards (aesthetics included) which makes
for a lot of perfectionists, but we're always hardworking and always strive to do more than required.
My parents have been art appreciators and collectors since before I was born. I grew up living with
the artwork of Buffalo Kaplinski and Frank Howell... I used to love being in those paintings as a
child. Fortunately I got to meet Buffalo in 2004 and he did not disappoint my fictitious image.
My mom was an interior designer when I was young.... at her office we'd page through wallpaper
and fabric samples, never really growing tired of seeing all the patterns (though I'd act bored).
Here I remember becoming aware of space with color and light at that time.
My dad was a lawyer then and always an avid gardener. Dad and I now own and operate Columbine
Gallery in Loveland, CO together. He established the gallery along with the National Sculptors' Guild
in 1992 and he personally places monumental sculpture across the nation. He is involved in site
design, often the landscaping surrounding and almost always installs the artwork. We work well
together with synchronicity. We also both love helping people learn to live with art. I put in average
10-12 hour days at the gallery 5-6 days a week, then I put in hours early mornings and late nights
to painting, but when it is your passion you put the hours in and enjoy the process.
My brother and sister are both teachers. Older brother, Tyler, is fantastic at math and sciences and
can learn languages in amazing time enabling him to travel extensively. He recently took a trip to
Spain for English Immersion courses and is working on going to Japan to teach next. Younger
sister, Dayna, is the dancer, I used to drive her in high school to practice and quick sketch or
photograph. She now teaches kindergarten in Loveland and has a beautiful family with the addition
of 'Jay Thomas' April 25, 2008. My siblings are great friends, and I find we all have an unusual
talent to incorporate career with creative expression."
-Alyson Kinkade
recent
Colorado State
University has
selected nine
paintings from my
"Remembering
Plains" series for
placement in their
Behavioral Sciences
Building.
'Veiled Reveal' was
juried into Creative
Capitol at DIA and
the Colorado State
Capitol on display
thru Nov 2009
'Firenze, Santa Maria
Novella' has been
accepted into the
"2009 Women Artists
of the West national
juried exhibition" at
Saks Gallery
February 6-29 2009
'Yield' was juried into
Colorado: See the
New West Like a
Local at DIA on
display April
2008-January 2009
December 2007,
Southwest Art
Magazine featured
Alyson in the
Innovators section
for her Painter's
Challenge show - a
group show which she
curated and
exhibited in
In September 2005
Southwest Art
Magazine ran feature
editorial on Alyson...
"Wide Open Spaces "
by Devin Jackson
In 2002, Southwest
Art Magazine named
Alyson among the
top "21 artists under
31" in the nation.
Southwest Art
Magazine 'Best of
the West', 2005
New Art International
review, 2001
Art Talk 'Hottest
Artists in Santa Fe,
1999
Architecture & the
West ad, 2002
Southwest Art
Magazine ad, 2002
Art Talk ad, 1999
Colorado State
University has
selected nine
paintings from my
"Remembering
Plains" series for
placement in their
Behavioral Sciences
Building.
'Veiled Reveal' was
juried into Creative
Capitol at DIA and
the Colorado State
Capitol on display
thru Nov 2009
'Firenze, Santa Maria
Novella' has been
accepted into the
"2009 Women Artists
of the West national
juried exhibition" at
Saks Gallery
February 6-29 2009
'Yield' was juried into
Colorado: See the
New West Like a
Local at DIA on
display April
2008-January 2009
December 2007,
Southwest Art
Magazine featured
Alyson in the
Innovators section
for her Painter's
Challenge show - a
group show which she
curated and
exhibited in
In September 2005
Southwest Art
Magazine ran feature
editorial on Alyson...
"Wide Open Spaces "
by Devin Jackson
In 2002, Southwest
Art Magazine named
Alyson among the
top "21 artists under
31" in the nation.
Southwest Art
Magazine 'Best of
the West', 2005
New Art International
review, 2001
Art Talk 'Hottest
Artists in Santa Fe,
1999
Architecture & the
West ad, 2002
Southwest Art
Magazine ad, 2002
Art Talk ad, 1999
